All Media Asset Management articles
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Daily NewsTelstra launches new media production platform
Telstra Broadcast Services said its new media production platform is a cloud-based production and playout service that brings all the functionality and quality of traditional on-premise broadcast workflows into a fully virtual environment.
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News
UK’s first social purpose streaming service launches
Together TV and Red Bee Media have launched a free-to-use streaming service to engage audiences and inspire positive social change.
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Daily News
Signiant unveils Media Engine
Intelligent file transfer software specialist Signiant unveiled Media Engine, which it described as a modern media management service built into the Signiant platform.
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News
Signiant announces Media Engine MAM platform
Signiant has unveiled Media Engine, a modern media management service built into the Signiant Platform. Media Engine allows Signiant’s SaaS customers to search, preview and take action on media assets across all their Signiant-connected storage, from anywhere in the world.
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Industry Trends
Media tech start-ups: Incubation and growth
It’s easy to think of the media technology space as being made up of a handful of large players. But for every Sony, Avid and Grass Valley, there are independent, innovative start-ups changing the landscape.
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Industry Trends
Technology showcase: media asset management
From powerful new tools to further workflow optimisation, media asset management (MAM) technologies continue to evolve. David Davies speaks to a quartet of vendors about their latest innovations in and around MAM.
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Daily News
Xytech acquired by private equity firm Banneker Partners
Facility management software provider Xytech has been acquired by software-focused private equity firm Banneker Partners.
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Industry Trends
Review & approval and the focus on immediate review capabilities
The $1bn purchase of Frame.io by Adobe might have taken some by surprise, but it underlines the importance of having powerful review & approval functionality, writes David Davies.
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Daily News
Telestream acquires workflow tool ContentAgent
Telestream has acquired ContentAgent, an application used by broadcasters, production companies and post houses to streamline their content creation workflows.
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Technical Papers
Integrity of content, metadata and workflow in loosely integrated systems
In a broadcast organization content is created generally with an intent to publish and/or archive it in one way or another.
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Industry Trends
Making a return on IP investments
As the commercial pressures tighten on traditional and new media companies, finance directors want to know that investment will make a business more efficient and successful.
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Industry Trends
Moving production to the cloud
The immediate barriers to unfettered production in the cloud are bandwidth, the compression required to shrink bit rates, transport, discovery and security.
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Industry Trends
The engineering skills shortage
In November 2014 I organised, on behalf of the IABM Educational Foundation and EBU, a conference in Geneva on the engineering skills shortage facing the electronic media industry.
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Industry Trends
Introducing the new look IBC Council
IBC Council Chair Naomi Climer recently announced the new membership of the IBC Council, with most members set to serve for up to three years.
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Thought Leadership
Has storage got too complex?
Storage for video production used to be simple: you picked the video camera you could afford, and the camera choice often dictated the videotape format you would use, said Stan Moote, CTO, IABM.
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Thought Leadership
Content rights and consumer choice converge in complex sophisticated workflows
Using content without rights can lead to legal action, but not making it available where you do have the rights is a waste of investment, says Paul Wilkins, director of solutions and marketing, TMD.
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Technical Papers
Using IMF for international distribution: What does that mean?
Speed reading can often lead to misinterpretation. The title of this paper, “USING IMF FOR INTERNATIONAL DISTRIBUTION”, is intentionally ambiguous, hence the subtitle WHAT DOES THAT MEAN? Assuming that you interpret IMF as SMPTE’s Interoperable Mastering Format (1), the ambiguity comes from the word using.
