All Audio technologies articles
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Daily NewsMagewell Pro Convert Audio DX builds bridges between IP and analogue
The Pro Convert Audio DX from Magewell is a multi-format IP audio encoder, decoder and capture device which enables users to convert audio between Dante, NDI and SRT while bridging analogue audio, software and IP networks.
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Industry Trends
Dolby Atmos in Broadcasting - Turning it up to 11
Dolby Atmos is a Next Generation Audio (NGA) technology that’s gaining considerable ground, especially in music, eSports and sports. John Maxwell Hobbs speaks to Anaïs Libolt, Director of Broadcast & Content in Europe for Dolby to get a snapshot of progress.
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Industry Trends
Managing remote audio: post-pandemic workflows evolve to deliver greater flexibility
The surge in ‘at home’ or REMI production during the pandemic has raised the stakes for managing remote audio effectively – prompting leading vendors to expand their solutions and focus more on ‘granularity’.
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News
Technical achievements praised at British Academy Television Craft Awards
Winners of the British Academy Television Craft Awards were revealed at a ceremony on Sunday, recognising and celebrating the very best in technical achievements in British television.
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Industry Trends
World Radio Day 2022: The resilience of radio
Developing internet-based listening and exploring the potential of visual radio are just a few of the ways in which radio broadcasters are strengthening their relationships with listeners.
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Daily News
CGI introduces latest version of dira! software suite
CGI is introducing the latest version of its dira! production and broadcast software suite, including audio editors, scheduling and playout.
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Daily News
Shure places Axient on portability
The Axient Digital Wireless System has been expanded with the new ADX5D portable receiver – a dual-channel, portable wireless slot receiver that is claimed to provide superior RF performance, spectral efficiency and transparent audio quality.
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Daily News
Merging Hapi to get immersive at IBC
Merging will show several new introductions at IBC2021, including developments particularly relevant to broadcasters as IP infrastructures and remote production are ever more important.
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Technical Papers
Object-based audio for television
Since the beginning of TV production, channel based audio mixing has been the norm.
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Technical Papers
Audio for television – how AES67 and uncompressed 2022/2110/TR03 video fit together
In today’s TV production environment, audio can take two forms: embedded audio and independent audio.
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Industry Trends
EBU loudness specification changes
In 2016, the European Broadcasting Union (EBU) updated all of its loudness specifications, except for the core, EBU R128 itself.
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Technical Papers
A framework for a content-based hybrid content radio
This paper gives an overview of the recent experimental services proposed by a group of European Broadcasters exploring the potentialities of a hybrid approach for audio in radio.
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Technical Papers
Making audio sound better one square wave at a time
For the past three decades, FM broadcasters have been engaged in what have become known as the “loudness wars”,
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Technical Papers
How AES-67, the new audio-over-IP standard, will bring the convergence of telecommunications, studio audio, and intercom
At the present time, audio technology is leveraging audio over IP technology at the basic network transport level, but is not taking advantage of all the benefits that are possible.
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Technical Papers
Reverse engineering emotions in an immersive audio mix format
A lot has been written about the techniques and methods employed in creating a stereo mix or mix for music.
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Technical Papers
Video translation: Weaving synthetic voices into the multilingual production workflow
The plethora of digital platforms makes information available in a great number of languages, and the expectation of audiences to be able to consume media in their own languages is growing.
