When Edward Norton wanted to convey the loneliness of life in 1950s New York for his noir feature Motherless Brooklyn he turned to cinematographer Dick Pope, BSC.
Dick Pope, who is Mike Leigh’s regular collaborator behind the camera from Life is Sweet to Peterloo, jumped at the chance to photograph a film noir for director Edward Norton.
“It’s a dream for any cinematographer to be asked to recreate fifties New York with all the visual flourishes of a noir,” Pope says of Motherless Brooklyn, which Norton wrote, produced, stars in and directed.
“I was brought up on noir film. My father idolised noir actors of that era and was a number one fan of Dick Powell (whose Philip Marlowe in 1944’s Farewell My Lovely is considered definitive). That’s why he called me Richard.”
Motherless Brooklyn is an adaptation of a bestselling novel by Jonathan Lethem about a private detective in New York investigating a murder and uncovering corruption. The twist is that the central character has Tourette’s, which manifests in head twitches and odd vocabulary but a knack for joining the dots in a puzzle…
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